Posts Tagged ‘Digital Shorts’

familyportrait1

We’re delighted to announce that A Family Portrait, one of our 4mations Digital Shorts, has been nominated as a finalist for the prestigious Cartoon d’Or 2010.

This is a huge achievement for the short, which has already claimed prizes at Clermont Ferrand and Stuttgart, and is continuing to conquer the festival circuit, from Annecy to Zagreb through Sao Paolo, Melbourne, and Hiroshima.

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Congratulations to Director Joseph Pierce and the whole team at fifty nine productions - we’ll be rooting for you at Cartoon Forum this September!

Mother of Many

With the Oscars just round the corner, award season is in full swing. We’re keeping our fingers crossed for Cartoon Saloon’s The Secret of Kells, which wowed us at Annecy last year.

Closer to home, we were delighted with 4mations director Emma Lazenby’s BAFTA success last week with ‘Mother of Many’.  Beating stiff competition, her team at Arthur Cox took home the Best Short Animation award for their rich tale of childbirth combining painting on glass, hand drawn and Flash animation with After Effects. And to top it off, producer Sally Arthur gave birth two days later to a baby boy. Many congratulations to both!

Don’t miss the charming interview with a slightly bewildered Emma on the BAFTA website - you’ll even discover the unusual place where she intends to keep her trophy!

Still from the Astronomer's Sun

Still from The Astronomer's Sun

February has little to recommend it. It’s grey, cold, and dull. There’s that whole ghastly business of Valentine’s day, with its deformed army of festering hearts and tedious angels. There’s Chinese New Year, which leaves me scanning the streets disconsolately for dragon dancers and illusive suckling pigs.

And then, there’s the British Animation Awards. Every two years, they delight us with a programme of animation screenings to brighten up our darkest hours. From the 8th to the 27th of February, you can catch the Public Choice screenings at a cinema near you, and vote for your favourite from a fantastic range of animated films made over the past few years.

Look out for fresh-out-of-the-oven 4mations films The Moonbird and The Astronomer’s Sun. Then get your sketchpads out, because you only have two years to get your next masterpiece finished before the next awards.

Baa.

The 4mations Digital Shorts films are finally nearing the end of their assembly line. It’s been a dark, sweaty, animated summer for many of our Directors.

You’ll remember ‘Slow Joe’ from the interview we featured a few months ago with its directors Steve Boot and Phil Gray. With their Digital Short all wrapped up, they’ve put their zombie pigeon back in their coop and have shared a little highlight of their film with us:

Intrigued? Here’s what Steve had to say about the production…

There’s nothing I like more than being in a dark room with a doll, but then that’s because I’m a stop-motion animator.  In fact one of the things that made me want to become a stop-motion animator was watching the old late night  “4Mations” series on Channel4 and seeing films such as “The big Story” , Paul Berry’s “The Sandman” and Jeff Newitt’s “Loves me Not” .   So I’m proud to have been chosen to be part of this commission.  It’s been a brilliant and worthwhile experience and here are some of my highs and lows.

Highs

Being grouped together with some of the most amazingly talented animators from the other regions.  It’s been great to look at their blogs, interviews  and websites and see their films evolve alongside ours.

The development.  It’s an exciting part, so many problems to solve, so many challenges.  This is were we got to throw a lot of ideas around and really stretch our imagination.

The filming.  I’m happy being in a dark room with a doll for company (have I said that already?), this is the fun part, making it all come to life.

Lows

Being grouped together with some of the most amazingly talented animators from the other regions.  Sometimes I just look at their blogs/websites to punish myself, why do they all have to be so talented!?  Why isn’t ours as good as theirs?

The development.  It’s a stressful part, the film could go off in so many different directions, so many questions to answer, why this? Why that? What if?…..  I think my head’s going to explode.

The filming.  It’s a lovely summer’s day and I’m in a dark room with a doll, again!

Got the Monday morning blues? Put those biscuits down. Our pick of the best animation posts from the blogosphere will perk you right up. We give you…

… From 4mations land:

Emma Lazenby’s almost finished her 4mations Digital Short.

The Brothers McLeod are animating on The Moon Bird (allegedly).

And our resident dinosaurs answer your existential questions:

… Artwork to inspire:

Sylvain Chomet’s “The Illusionist” is almost finished:
Sylvain Chomet’s The Illusionist on Academy of Art Animation Notes

Tim Frost shares some concept doodles from Ben & Holly’s Little Kingdom:
Ben & Holly’s Little Kingdom

More development work from Tomm Moore on Song of the Sea
Vis dev ideas on The Blog of The Sea

… A bit of eye candy:

Felix Massie shares “The Revolution of small Actions”, directed by Tim Ruffle:
La Revolució Dels Petits Gestos ha començat on Balanced There

Illustration collective Watermark Ltd. collaborate on a nifty music video:
I got Opinions: collaborative animation on Drawn

….Some handy tips:

Shawn Kelly tackles “Randomblinkitis”:
Blinks in Animation on Animation Tips and Tricks

How to make things fly in stop motion:
Stopmotion flight tutorial on Anim8stopmotion

We’ve already told you about the dark side of animation. But did you know it can turn you into a snowboarding vampire? No? Then you must get to know Bob Lee, one of our fine 4mations Digital Shorts directors, who’s been sinking his teeth into his short film ‘Tomorrow’…

tomorrow1 Read the rest of this entry »

Another week, another 4mations director interview

This week we catch up with Anna Fitzimons, who is working on The Life, Death and Suffer Story, a sort of mock tragedy that introduces us to Verity Burns, a lonely girl suffering the madness of a broken heart.

The Life, Death, and Suffer Story

You’re working on a mock tragedy. Is this Antigone meets The Office?

Ha! No, not quite, but maybe a little, the difference being that Verity is wallowing in self pity (between fits of pique and glimpses of optimism) rather than struggling against some kind of greater force for a noble cause.
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Our 4mations directors have been busy all summer slaving away on their animated Digital Shorts for 4mations. We’ve asked them a simple question: what do you eat to keep you going through production?

Their answers? Possibly TMI. Read on.

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Greg McLeod, director of The Moonbird:

1. Mozzarella
2. Parma Ham
3. Rocket
4. Blueberries
5. Raspberries
6. Greek yogurt
7. Slow cooked lamb curry
8. Fast cooked lamb curry
9. Raw lamb curry
10.Fab ice lollies

Stephen Boot, director of Slow Joe

We shot our film in a studio space which we got cheap because they where also building offices in there.  It was June and it was hot, so I was drinking a lot of water.  There was also a lot of plaster dust in the air, so water and plaster dust, yeah that was my diet (I haven’t had a poo since, but at least I have a rock hard stomach to show for it).

Iain Gardner, director of The Tannery

It’s pretty important, I think, to get a balanced breakfast at the start of the day in order to get a good day’s work done, but when that day turns into night then it’s handy to have breakfast in a bar.
Nibbley snacks (nuts/Maltesers/jelly babies) aren’t conducive to animation as they distract your hands from the work. Keep focused!

Bob Lee, director of Tomorrow

I’m very specifically fueled by copious amounts of Yorkshire tea and Relentless and ham and pease pudding sandwiches - but mostly by the constant fear of failure. Also, very loud high-octane music. Although I know some animators find they need silence whilst animating for concentration purposes, I feel a little dancing between frames adds a certain je ne sais quoi to each shot.

The summer is hotting up for our 4mations Digital Shorts directors. While the rest of us are busy catching up on this summer’s bestsellers or topping up our tans, Emma Lazenby has been working on her 4mations Digital Shorts commission, Mother of Many, which is being produced at Arthur Cox.

How did you get started in animation?

I always drew lots and after college found a degree with animation - once I saw things moving I couldn’t go back to still things (but now I can’t draw as well).
After Uni I emailed lots of companies and got my ideal job working for a tiny company - West Highland Animation - in the Trossachs.  I worked on Gaelic series and interactive games and lived in a small hut next to a loch in the middle of nowhere.  I used to row to the pub.  It was a very lovely 3 years.

Your film is about midwifery. Your mother has recently retired from 30 years in this job - how has that affected your story?

It was my mum’s retirement that got me thinking about what an amazing thing it is she has done as a lifetimes work - to be the first person thousands of people touch and see, and to help women (and their men) through such a ridiculously hard time continuously day after day - just seems crazy.  Such a worthwhile job.  It makes me think about what I do and consider a change in career.

Mother of Many

You’ve watched a lot of birthing videos on YouTube. Is this difficult research?

It is sometimes difficult research - though I am not squeamish and am now used to watching it. But it does make me very emotional sometimes - it is a very overwhelming thing to see, I try not to cry at my desk (in the boys’ room at ArthurCox).  It is sometimes a little too intense.

Looking so indepthly at childbirth hasn’t put me off thinking of having a baby one day - just knowing realistically what happens has been really interesting and made me less scared of it.

On your blog, you compare making a film to child birth. Is it quite a difficult process for you?

I haven’t made my own film like this since my degree - and though it is quite crazily exciting, it is really hard work.  I get quite frustrated with it sometimes because I am usually very confident in what I do (mostly design and animation) - I am being challenged by things I haven’t done for a long time and greatly enjoying it really.

Your style is a mixture of clean lines and rich textures. Where do you draw inspiration from?

I read a lot of children’s books and love screen printing - and am a big fan of patterned material.  I have been finding a lot of inspiration from the illustration and cartooning blog drawn.ca and following links from there.  I started off looking a lot at the painter Mark Francis, and Oliver Jeffers and an amazing french children’s book I bought in France.  I recently found Zara Pickens work which is beautiful.  I suppose I just keep my eyes open. I have a big inspirational style Photoshop file for this film that I add to and look at when I need my brain to set off.

You can keep track of Emma’s progress on Mother of Many’s production blog, where you can take a look at animation tests and other nifty things.

We’re kicking off this week with an interview with 4mations director Iain Gardner. Have you noticed a marked decline in penguin population? Read on.

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