Posts Tagged ‘LIAF’

The Bug Trainer

The Bug Trainer

It’s a testament to the appeal of one who is often hailed as the father of stop motion animation that a real buzz could be felt in the audience before the screening of this film at the London International Animation Festival. The Bug Trainer tracks the life and work of Ladislas Starewitch, the prolific Russian-born Polish animator who brought life to bugs and other animals for over 50 years.

The documentary itself is well crafted, with an interesting mix of stop motion animation, constructed sets and filmed interviews. But there is surprisingly little time spent on the work of the great man itself, the focus instead being on a strange parallel love story between an animated bug and the regal Lionness character from Starewitch’s film The Tale of The Fox. I found the narrator bug device both contrived and distracting, and was left wandering who exactly this film was made for.

Still, I enjoyed reacquainting myself with Starewitch’s work, which I hadn’t seen since my heady days as an animation student. There were a couple of interesting tidbits of information and some curious footage of real insects being wired up for animation. Sadly there was not much else here to satisfy the hungry animator, who may have more luck rediscovering Starewitch’s work on a DVD or two.

gabriella

Woman strokes fish. Fish squelshes. Man strokes fish. Fish squelshes. Woman strokes man. Woman strokes knife. Man strokes fish…. and so it goes on. I may reveal myself as an animation dunce when I say I had no previous knowledge of Pritt Parn’s work before attending the screening of his feature film Life Without Gabriella Ferri last night at the London Animation Festival.

It’s hard to say what the film is about, and perhaps it’s completely unnecessary. Life without Gabriella Ferri, fittingly, only briefly references Gabriella herself. There’s a one legged chicken, an impassible runner, a wandering spider, a thief, and a number of creepy ophthalmologists. While the drawings are scratchy and messy, there’s a precise, almost choreographed fluidity to the movements of the characters. The 44 minutes of the film are no easy watch. I experienced growing anxiety. Everything here, from the unrelenting soundscape to the neglected child with the bandaged hand, feeds a sense of unease, a clear message that something is wrong. And yet the film cultivates its own internal, inexorable logic, a weird structure in the chaos.

Yup, that’s Estonian animation for you. Tomorrow, light relief in the form of sexy zebras and clumsy undertakers when I review the LIAF programme of Siggraph Asia shorts.

Have you seen Pritt Parn’s work? I’d be interested to hear what you made of it.